Sephy and Callum sit together on a beach. They are in love. It is forbidden. Sephy is a Cross and Callum is a Nought. Between Noughts and Crosses there are racial and social divides. A segregated society teeters on a volatile knife-edge. As violence breaks out, Sephy and Callum draw closer, but this is a romance that will lead them into terrible danger. This gripping Romeo and Juliet story by acclaimed writer Malorie Blackman is a captivating drama of love, revolution and what it means to grow up in a divided world. Sabrina Mahfouz's stage adaptation first toured the UK in 2019 and won the Excellence in Touring category at the UK Theatre Awards. It was commissioned and presented by Pilot Theatre in co-production with Derby Theatre, Belgrade Theatre Coventry, Mercury Theatre Colchester and York Theatre Royal.

'Sabrina Mahfouz is a tidal wave of truth swallowing the banks of empire with a torrent of information which will not be damned' Lemn Sissay 'A bold, brave look at the ways imperialism affects us all, from the universally political to the insightfully intimate' Riz Ahmed 'Impossible to put down while you're reading, and impossible to forget about when you've finished' Glamour Are you not made of Suez silt? How do we know you won't shore our boats by making yourself bigger than we made you? Sabrina Mahfouz once sat in a Whitehall interview room and was interrogated about everything from her political leanings to her private life. It was ostensibly a job interview, but implicit in their demands was the unspoken question: as a woman of Middle Eastern heritage, could she really be trusted? Years later, Sabrina found herself confronting the meaning behind this interrogation, and how it was specifically informed by the British Empire's historical dominance in the Middle East. THESE BODIES OF WATER investigates this history through the Middle Eastern coastlines and waterways that were so vital to the Empire's hold. Interwoven with her own personal experiences, Sabrina combines history, politics, myth and poetry in a devastating examination of this unacknowledged part of Britain's colonial past. Part history, part polemic and part intimate memoir, THESE BODIES OF WATER is a tapestry of writing that tells the story of Britain's relationship with the Middle East in the most revealing terms.

A stunning collection of new and classic poems from around the world celebrating the diversity of life on our green and blue planet, to be shared with all the family. With new poems from Raymond Antrobus, Mona Arshi, Kate Tempest, Hollie McNish, Dean Atta, Sabrina Mahfouz and more.

Dive into this book and be swept away on a journey around our green and blue planet, from the peak of the snowiest mountaintop to the bottom of the deepest, bluest ocean. Meet the birds circling its skies, the beasts prowling its plains, and the people toiling in its fields and forests and cities... Explore all the worlds that make up our world, and hear the voices, past and present, that sing out from it. From haikus to sonnets, from rap to the Romantics, this joyous collection celebrates life in all corners of our beautiful planet.

Smashing It celebrates the exceptional works and words of 31 leading working-class artists in Britain. Featuring writing, lyrics and images by Wiley, Maxine Peake, Malorie Blackman, Riz Ahmed and many more, it also includes reflections from artists on how class has impacted their working lives. Come behind the scenes to find out how they overcame obstacles - from the financial to the philosophical - to forge careers in the arts and get inspiration to launch your own project. Smashing It empowers those who will be a part of tomorrow's bigger picture. Contributors: Riz Ahmed, Sabeena Akhtar, Travis Alabanza, Anthony Anaxagorou, Raymond Antrobus, Malorie Blackman, Michaela Coel, Emma Dennis-Edwards, Maureen Duffy, Jenni Fagan, Marvell Fayose, Salena Godden, Hassan Hajjaj, Omar Hamdi, Kerry Hudson, Rabiah Hussain, Fran Lock, David Loumgair, Lisa Luxx, Paul McVeigh, Bridget Minamore, Courttia Newland, Aakash Odedra, Maxine Peake, Rebecca Strickson, Chimene Suleyman, Joelle Taylor, Monsay Whitney, Wiley, Madani Younis

'We are here to make sense of it all.' From the everyday to the astonishing, and the ordinary to the miraculous, the Roman poet Ovid's stories of epic impossibilities explore the power of transformation, the resilience of humans, and the wonder of life. The myths of Metamorphoses have inspired generations of writers, including Shakespeare. Over two thousand years later, they are reimagined for our world by three leading British playwrights, and feature anarchy, shape-shifting and a burning chariot of fire. This entertaining and provocative new play, by Sami Ibrahim, Laura Lomas and Sabrina Mahfouz, was written for the candlelit Sam Wanamaker Playhouse at Shakespeare's Globe, London. It was first performed by four actors in 2021, and directed by Globe Associate Artistic Director, Sean Holmes and Associate Artistic Director of Headlong, Holly Race Roughan.

I cook here, create here, make here be as much of life as I can because outside of this I'm not safe, I don't know the way. Chef tells the gripping story of how one woman went from being a haute-cuisine head chef to a convicted inmate running a prison kitchen. Leading us through her world of mouth-watering dishes and heart-breaking memories, Chef questions our attitudes to food, prisoners, violence, love and hope. Inspired by an interview Mahfouz conducted with celebrity chef Ollie Dabbous, Chef studies food as the ultimate art form taking stimulus from Dabbous's obsession with simplicity and making something the best it can be. Featuring Sabrina Mahfouz's distinct, lyrical style in abundance, Chef received its premiere at the Underbelly, Cowgate, during the 2014 Edinburgh Festival Fringe, winning a Fringe First, and was produced at the Soho Theatre, London, in June 2015.

Selected as Emma Watson's Jan/Feb 2019 pick for her feminist book club, Our Shared Shelf Shortlisted for London's Big Read A Guardian Best Book of the Year Longlisted for The People's Book Prize From established literary heavyweights to emerging spoken word artists, the writers in this ground-breaking collection blow away the narrow image of the 'Muslim Woman'. Hear from users of Islamic Tinder, a disenchanted Maulana working as a TV chat show host and a plastic surgeon blackmailed by MI6. Follow the career of an actress with Middle-Eastern heritage whose dreams of playing a ghostbuster spiral into repeat castings as a jihadi bride. Among stories of honour killings and ill-fated love in besieged locations, we also find heart-warming connections and powerful challenges to the status quo. From Algiers to Brighton, these stories transcend time and place revealing just how varied the search for belonging can be.

Can you hear it, the hiss of water wiggling its way out into the world uncaptured, wasted, wanton? British-Egyptian Sabrina Mahfouz grew up with ambitions of being a spy. She has two passports, speaks two languages and has a cultural understanding of two very different countries. But when it came to applying for MI6, it turned out she wasn't quite British enough. So now she's on her own intelligence mission - to explore who really holds the power in and over the Middle East. In a world long obsessed with access to oil, will water soon become the natural resource that dictates control, or has it been all along? A History of Water in the Middle East journeys across twelve different countries using theatre, poetry and music to share stories of women across the region. From the British Imperialist ownership of natural resources, to the environmental urgency of the present, water has shaped lives, policies and fortunes - and it will shape all of our futures. This edition published to coincide with the premiere at the Royal Court in October 2019.

Sabrina Mahfouz has been called 'theatrical dynamite' by The Independent and '[one of] our most interesting playwrights' by Lyn Gardner in The Guardian. As a recent elected Fellow of the Royal Society of Literature, she is a playwright, poet, essayist, children's author and activist whose work explores a variety of mediums in challenging and genre-defying ways. Her first play collection brings together a unique mix of published and previously unpublished works for the stage, including a Off West End Award-winning play for children; a Fringe First award-winner; a BBC Radio & Music Best Drama award-winner and a Sky Arts Academy award-winning play. From the explosive poetic monologue play Chef to the rhythmic drive of With a Little Bit of Luck, this collection fizzes with infectious lyricism that captures Mahfouz's work for the stage in a variety of different forms, proving that contemporary theatre remains boundless in terms of its ability to spark debate and move audiences.

'Impossible to put down while you're reading, and impossible to forget about when you've finished' Glamour After a gruelling job interview where she was interrogated about everything from her political leanings to her family background, Sabrina Mahfouz realised that one unspoken question had pervaded her entire life: as a woman of Middle Eastern heritage, could she really be trusted? Years later, Sabrina found herself confronting this question and how it was specifically informed by the British Empire's historical dominance in the Middle East. Taking us on a journey of the Middle-Eastern coastlines and waterways that were so vital to the Empire's hold, and combining memoir, history, politics, myth and poetry, These Bodies of Water is a tapestry of writing that tells the unacknowledged story of Britain's relationship with the Middle East in the most revealing terms. 'A writer of staggering conviction, ingenuity and integrity' Kae Tempest 'Brilliant and profound' Nikesh Shukla 'A bold, brave look at the ways imperialism affects us all' Riz Ahmed

I want to be iconic. I want to be beautiful, reckless, feared, hated, ahead of the times. I want to be different, I want to be dangerous . . . London, 2001. Raves. Revision. Re-election. Nadia is swept up in one hot summer's night of love that promises endless possibilities. Drinking, dancing, hope, ambition, lust, greed . . . and decisions that will determine the rest of her life. Rhythmically underscored by a live mix of old-school UK Garage, With A Little Bit of Luck explores the legacy of a cultural movement that defined the hopes of a generation. It received its world premiere at the Latitude Festival 2015 and then was produced as a tour by Paines Plough and Latitude from 13 April 2016.

'Sabrina Mahfouz is a tidal wave of truth swallowing the banks of empire with a torrent of information which will not be damned' Lemn Sissay 'A bold, brave look at the ways imperialism affects us all, from the universally political to the insightfully intimate' Riz Ahmed 'Impossible to put down while you're reading, and impossible to forget about when you've finished' Glamour Are you not made of Suez silt? How do we know you won't shore our boats by making yourself bigger than we made you? Sabrina Mahfouz once sat in a Whitehall interview room and was interrogated about everything from her political leanings to her private life. It was ostensibly a job interview, but implicit in their demands was the unspoken question: as a woman of Middle Eastern heritage, could she really be trusted? Years later, Sabrina found herself confronting the meaning behind this interrogation, and how it was specifically informed by the British Empire's historical dominance in the Middle East. THESE BODIES OF WATER investigates this history through the Middle Eastern coastlines and waterways that were so vital to the Empire's hold. Interwoven with her own personal experiences, Sabrina combines history, politics, myth and poetry in a devastating examination of this unacknowledged part of Britain's colonial past. Part history, part polemic and part intimate memoir, THESE BODIES OF WATER is a tapestry of writing that tells the story of Britain's relationship with the Middle East in the most revealing terms.

The women you've seen play today, we are more than football players, more than athletes and sportspeople of the very highest degree. We are heroines or heroes - or however you wanna say it - and we should be taking our place on posters and platforms and TV stations, changing the way perfect is thought of, changing the way girls can be brought up. Offside tells the story of women's football in the UK through the eyes of a modern professional female footballer as she seeks to find a future in the game through exploring its past. Mickey is alone in the locker room; she deliberates with herself about the biggest decision of her life, her career, her love - her football. But in a world where sexism is rife and a feeling of self-limitation reduces opportunities, fear makes for poor decisions while joy flourishes in the unlikeliest of places. Offside has been researched with top women's teams, Manchester City Women's FC and Millwall Lionesses, where many players, sports scientists and others who are integral to the development of the game have been interviewed to gain an in-depth insight into their world. The play blends a dramatic narrative with performance poetry and chanting to evoke the pace and passion of the women's game. The production, by Futures Theatre, has been developed in partnership with the National Football Museum, Manchester, and the IWM, London.

Respect women, respect girls. Respect yourselves. Remember you are everyone who's gone before you and you are nobody that has ever been, so make it count, make it special, make a difference, make people listen, love the women who have loved you and watch us make the world move to a better place. For Layla, every day is a battleground. The pay gap, the thigh gap, over-sexed pop and selfies that are photoshopped - they're just part of the world she lives in. But that world is about to change. While breaking out of her bedroom - and with drama, comedy, poetry and music as her weapons - Layla breaks down and makes sense of the realities, difficulties and absurdities of teenage life in the UK today. Collected from a bespoke national survey, the voices of a thousand UK teens are brought to life in Layla. Their ambitions, concerns, role-models and regrets are woven together by award-winning Sabrina Mahfouz and theatre company Theatre Centre, offering a hard-hitting, yet hopeful, story. Layla's Room received its world premiere at Redbridge Drama Centre on 15 September 2016 in a production by Theatre Centre. It is ideal for students and young performers between 16 and 18 years old.

A dynamic collection of three of Sabrina Mahfouz's pieces for the theatre, published alongside a selection of her poetry. Dry Ice A critically acclaimed solo show about a young stripper, which was produced at by the Underbelly (Edinburgh) and the Bush Theatre (London) and directed by David Schwimmer. It played at the Contact (Manchester), the Soutbank Centre (London) and the Bush (London) as part of Madani Younis's debut season in 2012. One Hour Only An 'upmarket' brothel. It's Forensic Biology student Marley's first night at her new job and AJ - twenty-one, good-looking and intelligent - is her unexpected first client. One Hour Only formed part of the Old Vic New Voices' first ever Edinburgh Season at the Underbelly in association with IdeasTap. Clean Zainab, Chloe & Katya, London's best 'clean' criminals and perpetrators of victimless crime, are forced together in an unlikely trio. This feisty trio soon become the unlikely action heroes of an adventure left to men. A short play commissioned by the Traverse Theatre, 2012, Clean was part of the A Play, A Pie & A Pint Season at Oran Mor, Glasgow and The Traverse Theatre, Edinburgh.

Five exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools theatre company with guidance for staging the plays either online or live in the space. Commissioned as part of Wonder Fools' national participatory project Positive Stories for Negative Times, these five plays offer a variety of stories, styles and forms for ages 8-25. These original and innovative plays are: Is This A Fairytale? by Bea Websater A new play that rips apart the traditional fairy tale canon and turns it on its head in a surprising, inventive and unconventional way. Ages 8+ Hold Out Your Hand by Chris Thorpe A dynamic text asking questions about place, where we are now and the moment we are living through. Ages 13+ The Pack by Stef Smith A playful and poetic exploration about getting lost in the loneliness of your living room and trying to find your way home. Ages 13+ Ozymandias by Robbie Gordon and Jack Nurse A contemporary story inspired by Percy Shelley's 19th century poem of the same name, exploring power, oppression and racism through the eyes of young people. Ages 16+ Bad Bored Women of the Rooms by Sabrina Mahfouz A storytelling adventure through the centuries of women and girls who have spent a lot of time stuck in a room. Ages 18+ The accompanying handbook includes step-by-step guidance on how to produce the plays either online or live in the space, and bespoke exercises and instructions on how to approach directing each play.

Drawing together the work of ten leading playwrights - a mixture of established and emerging writers - this National Theatre Connections anthology is published to coincide with the 2014 festival, which takes place across the UK and finishes up at the National Theatre in London. It offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department with the young performer in mind. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. As with previous anthologies, the volume will feature an introduction by Anthony Banks, Associate Director of the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises. The National Theatre Connections series has been running for nineteen years and the anthology that accompanies it, published for the last three years by Methuen Drama, is gaining a greater profile by the year. Some iconic plays have grown out of the Connections programme including Citizenship by Mark Ravenhill, Burn by Deborah Gearing, Chatroom by Enda Walsh, Baby Girl by Roy Williams, DNA by Dennis Kelly, and The Miracle by Lin Coghlan. The series has a recognisable brand and the anthologies continue to be an extremely useful resource, their value extending well beyond their year of publication. This year's anthology includes plays by Sabrina Mahfouz, Simon Vinnicombe, Catherine Johnson, Pauline McLynn, Dafydd James, Luke Norris and Sam Holcroft.